life `til leather"
October 28th, 1981, drummer Lars Ulrich makes guitar player/singer
James Hetfield the offer he can't refuse: "I've got a track
saved for my band on Brian Slagel's new Metal Blade label."
The truth is, Lars didn't have a band at that time, but he did
that day when James joined him. The two recorded their first track
on a cheap recorder with James performing singing duties (with
a sore throat, even!), rhythm guitar duties and bass guitar duties.
Lars dutifully pounded the drums, helped with musical arrangements
and acted as manager. Hetfield's friend and housemate Ron McGoveny
was eventually talked into taking up bass and Dave Mustaine took
lead guitar duties. The band adopted the moniker Metallica: Young
Metal Attack, and began gigging in the Los Angeles area opening
for bands like Saxon. They eventually recorded a full-fledged
demo called No Life Til Leather. The demo was circulated near
and abroad by Lars and his metal tape-trading buddies.
Life Til Leather stirred up some interest in the underground metal
community and the band started garnering some attention, especially
in San Francisco and New York. Metallica performed 2 shows in
San Francisco and found the crowds there more friendly than LA's
"there to be seen" crowd. They also caught up-and-coming
band Trauma, and most importantly their bass player, Cliff Burton.
Eventually, Metallica moved upstate and Cliff joined Metallica.
In New York, a copy of No Life Til Leather made its way to Jon
Zazula's record shop, the aptly-named Metal Heaven. Zazula quickly
recruited Metallica to come out east to play some shows and record
an album. The band made it to New York in a stolen U-Haul only
to make announcement to their now manager/record producer: "Our
guitar player has got to go." Roadie Mark Whitakker suggested
a guitar player from a band he knew back in SF, and on April 1,
1983 Kirk Hammett joins Metallica. Metallica's first album, Kill
'Em All, is released in late 1983.
My Brain with your so called standard. Who says that I ain't right?"
toured behind Kill 'Em All, and in 1984, a second album Ride The
Lightning was recorded and released. This album was a more mature
album, both lyrically and musically while not missing a beat of
the ferocity of Kill 'Em All. Notable on Ride The Lightning's
eight songs is track four; Fade To Black. Inspired by the theft
of the band's equipment earlier that year in Boston, the song
delves rather deeply into dealing with loss. Other tracks are
inspired by H.P. Lovecraft and the movie The Ten Commandments.
The band signed with major management agency Q Prime and soon
after is signed to major record label Elektra.
of fear insight"
brought their third album, Master Of Puppets, and a tour with
Ozzy Osbourne. Metallica was reaching new highs: the new album
reached #29 and enjoyed a 72-week run on the US charts. The Ozzy
tour helped them gain wide exposure. The band endured a minor
downfall when James broke his arm skateboarding and was unable
to play guitar. John Marshall pulled double duty, acting as Kirk's
guitar roadie and filling in on rhythm guitar until James healed.
With the Ozzy tour complete the band moved on to Europe and planned
their first venture to the Far East. It was hoped that James would
be ready to handle his guitar duties, but for the first shows
in Europe, Marshall filled in. James returned in full guitar and
vocal duties on September 26th, 1986, the last time Metallica
performed with Cliff. Early the next morning, the tour bus skidded
out of control and flipped, killing Cliff Burton.
probably would have been easier for Metallica to call it quits
right then and there.Cliff was a major part of the band, not only
supplying bass but being somewhat of a teacher and mentor, sharing
his musical wisdom and "be yourself" attitude. Knowing
Cliff would be the first to want them to carry on, Metallica minus
one carried on.
got something to say"
Newsted was chosen from over 40 auditions to play bass with Metallica.
His many strengths included being able to keep up with the band`s
drinking habits! It was decided they would jump right back into
"tour mode" to initiate the new bass player and wrap
up loose ends. The band also released an EPof all cover songs
as an introduction to Jason. The EP, titled Garage Days Re-Revisited
is considered a sequel of sorts to Garage Days Revisited which
appeared as a B-side in 1984.
of fear they pull me under"
Jason established, the band went back to record their fourth full-length
album, And Justice For All, released in August 1988. It reached
#6 on the US charts, and received a Grammy nomination for Best
Metal/Hard Rock album. The band took the show back out on the
road and toured extensively to all parts of the world. ...And
Justice For All produced two US singles and the band's very first
venture into music video for the song One. They finally won a
Grammy for the One single.
Pressure upon you is so unreal"
1991 Metallica released the self titled "black album."
With new producer Bob Rock, this album was a departure from the
previous album. The songs were shorter and the sound was fuller,
deeper and less monotone. The "black album" went straight
to number one all over the world.. and stayed there for several
weeks. The album spawned several singles and videos and remains
the most successful Metallica album to date. The band won several
awards including a Grammy for the album and several MTV and American
Music Awards. The band toured and toured and toured (get the picture?)
playing all alone in "An Evening With Metallica" or
with Guns N' Roses, or as headliner at many festivals. Metallica
took the Black Album (and the other songs as well) to the people.
fall in love with life again"
years would pass before the next Metallica album saw the light.
The album was called Load and was the longest Metallica album
to date. With 14 songs it took all available room on a compact
disc. The album was again produced by Bob Rock, as was ReLoad,
which followed in 1997. Both albums were written and mostly recorded
together, and continued what the self-titled album started. Soundwise,
the album was thick and and punchy, the songs were loose, powerful
and eclectic. It would be unfair to say Metallica changed a great
deal, as the band is the same band that recorded Kill 'Em All,
...And Justice For All and the rest, but the Load twins show a
Metallica that has grown towards expanding past the "all
attitude and speed" days and back to the "be yourself"
a devil lying by your side"
the completion and subsequent touring for Load and ReLoad and
quite possibly the end of this phase of Metallica, it's natural
only to become somewhat introspective. While lyrically the Load
albums reflected a great deal of what lies inside each of us emotionally
and subconsciously, it came a time to look into what made this
band. No greater reflection of what makes Metallica "Metallica"
are their influences. And as they did in 1981 when they started,
1984 with Garage Days Revisited and 1987 with Garage Days Re-Revisited,
the band did what comes naturally..
went back to the garage. Metallica was and is very much a garage
band. Whether it's in Kirk's basement, Jason's Chophouse, Lars'
Dungeon or on stage in front of 50,000, Metallica always plays
that song or that riff that helped them out somewhere along the
road. They had already released 2 garage projects and put out
a smattering of cover songs as B-sides. In fact, the Garage Days
projects had become so collectable and rare, that poorly-recorded
bootleg copies have been circulating for outrageous prices. The
band chose 11 new songs to record its third "in the garage"
project, again with Bob Rock.
project was aptly-titled Garage Inc. as it incorporates ALL the
previously-recorded garage cover songs along with the 11 new tracks.
So what's next? Look for the band on tour in some new, as well
as the old familiar places. A new project unlike anything you'd
expect, and a welcome to the year 2000 that most certainly be
one to remember!